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William Walker is a notable muralist in Chicago. He was one of the founders of the Organization for Black American Culture (OBAC) and one of the leaders in the project involving the Wall of Respect. He was also one of the critical founders of the mural movements in Chicago during the 1960s.
William Walker was born in Birmingham, Alabama in 1927. Although born in the South, he grew up in Chicago. After serving in World War II and in the Korean War, he studied fine arts at the Columbus Gallery of Art in Chicago (now Columbia College Chicago), and became the first African-American man to win the 47th annual group exhibition award.[1]
After graduating, he went to Memphis where he painted his first murals. A year later in 1955, Walker returned to Chicago and worked as a decorative painter and a postal worker. In 1967, he participated in a project related to the Organization for Black American Culture. This project was a community mural that would honor African American heroes and was named "The Wall of Respect". The Wall of Respect started a nationwide movement of "people's art". From there, Walker cofounded the Chicago Mural Group (now known as the Chicago Public Art Group) with John Pitman Weber and Eugene Eda, while continuing to paint murals in Chicago. Walker painted murals to make the community more aware of the racial strife going on in America at that time and to spur individuals to get more involved in solving racial problems.
Bio courtesy of www.wikipedia.org. Link to full bio: https://en.wikipedia.org/wiki/William_Walker_(muralist)
William Walker is a notable muralist in Chicago. He was one of the founders of the Organization for Black American Culture (OBAC) and one of the leaders in the project involving the Wall of Respect. He was also one of the critical founders of the mural movements in Chicago during the 1960s.
William Walker was born in Birmingham, Alabama in 1927. Although born in the South, he grew up in Chicago. After serving in World War II and in the Korean War, he studied fine arts at the Columbus Gallery of Art in Chicago (now Columbia College Chicago), and became the first African-American man to win the 47th annual group exhibition award.[1]
After graduating, he went to Memphis where he painted his first murals. A year later in 1955, Walker returned to Chicago and worked as a decorative painter and a postal worker. In 1967, he participated in a project related to the Organization for Black American Culture. This project was a community mural that would honor African American heroes and was named "The Wall of Respect". The Wall of Respect started a nationwide movement of "people's art". From there, Walker cofounded the Chicago Mural Group (now known as the Chicago Public Art Group) with John Pitman Weber and Eugene Eda, while continuing to paint murals in Chicago. Walker painted murals to make the community more aware of the racial strife going on in America at that time and to spur individuals to get more involved in solving racial problems.
Bio courtesy of www.wikipedia.org. Link to full bio: https://en.wikipedia.org/wiki/William_Walker_(muralist)
Faces (Clowns)
Oil on board
24x35 inches
1955
Signed
Photo credit: John Wilson White Studio
Alley Cat Club
Oil on canvas
19 1/2x24
c. 1950
Signed and dated
Photo credit: John Wilson White Studio
Tennessee Page Hall
Oil on board
21x23 1/2 inches
c. 1955
Signed and dated
Photo credit: John Wilson White Studio
Luck of the Draw
Oil on board
23x21 1/2 inches
1955
Signed and dated
Photo credit: John Wilson White Studio
Alley C
Oil on board
27x12 1/2 inches
1955
Photo credit: John Wilson White Studio
Faces (AKA Jazz Hands)
Oil on board
19 1/2x42 inches
`1955
Signed and dated
Photo credit: John Wilson White Studio
The El
Oil on board
21x34 inches
1955
Signed
Photo credit: John Wilson White Studio
Three Deacons
Oil on canvas
27x12 1/2 inches
1955
Photo credit: John Wilson White Studio
Faces (Black and White)
Oil on board
15x11 inches
1955
Signed
Photo credit: John Wilson White Studio
Faces (Profile)
Mixed media
11 1/2x9 inches
c. 1955
Signed and dated
Photo credit: John Wilson White Studio
Faces (Looking Left)
Oil on board
15x11 inches
1955
Signed and dated
Photo credit: John Wilson White Studio
Praying
Crayon on board
15x11 1/4 inches
1959
Signed and dated
Photo credit: John Wilson White Studio
Three Faces
Mixed media oil, sand on board
20 1/2x23 3/4 inches
c. 1955
Signed
Photo credit: John Wilson White Studio
Eating Watermelon
Crayon on artist board
10x25 inches
c. 1955
Signed
Photo Credit: John Wilson White Studio
No info on piece
Untitled (Parent and Child)
Oil on board
47x12 1/2 inches
c. 1955
Signed
Photo credit: John Wilson White Studio
No info on piece