Allan Rohan Crite (1910-2007)
Allan Rohan Crite Born in 1910 in Plainfield, New Jersey, of African, Indian, and European ancestry, Crite has spent most of his life in Boston. During the course of his long life, Crite enjoyed an extensive career as a painter, draftsman, printmaker, author, librarian, and publisher. At an early age his mother encouraged him to draw and paint, and he took art classes at the School of the Museum of Fine Arts, Massachusetts School of Art, and Boston University. Later he focused on history and the natural sciences, earning a Bachelor of Arts from Harvard University and an honorary doctorate from Suffolk University in Boston. During the 1930s, Crite worked under the auspices of the Works Progress Administration, and in the early 1940s began a thirty-year career as a technical illustrator for the Department of the Navy. A visual chronicler of life in Boston, he is active in the Episcopal Church and is a prolific creator of liturgical art.
Crite’s longstanding interest in recording the urban scene reveals his desire to depict black people as ordinary citizens rather than as Southern sharecroppers or Harlem jazz musicians, images that were becoming prevalent and stereotypical by the 1930s. Crite frequently taps history and autobiography to connect people of color and himself to a larger context, carefully composing the settings of his works to ground them in reality and to make the images accessible to the viewer.
"I've only done one piece of work in my whole life and I am still at it. I wanted to paint people of color as normal humans. I tell the story of man through the black figure"
(quote from www.askart.com)
The figures in Crite’s work are individualized in appearance and clothing. An emphasis on fine detail is in part a manifestation of Crite’s ongoing study of the detailed paintings found in Flemish Late Gothic art. Variations in brushwork, along with rich colors, animate the surface of Crite’s paintings. Even though he was aware of modernism, Crite chose a representational style because it was natural to him and appropriate to his form of communication. “I'm a storyteller, telling a story of people,” Crite claimed, “and I started out with my own people in the immediate sense, like the neighborhood, and people in a general sense when I make a neighborhood out of the whole world.”
Bio courtesy of The Phillips Collection. Link to bio:
http://www.phillipscollection.org/research/american_art/bios/crite-bio.htm
Winter Scene from my Window
Watercolor
15 1/2x11 inches
1933
Signed and dated
On loan to the National Museum of African American History and Culture. Currently on display as part of the 4th floor Visual Arts Exhibit.
Photo credit: John Wilson White Studio
Stations of the Cross
Oil on board
24x18 inches
1947
Signed and dated
Currently on loan to the National Museum of African American History and culture and on display as part of the 4th floor Visual Arts Exhibit.
Photo credit: John Wilson White Studio
A Corner in our Living Room
Watercolor
1924
10x8 inches
Signed, dated, inscribed and titled
Photo credit: John Wilson White Studio
My front Room
Graphite on paper
9x11 inches
1925
Signed and titled
Photo credit: John Wilson White Studio
Martha's Vineyard
Watercolor
7x9 1/4 inches
1927
Signed and dated
Photo credit: John Wilson White Studio
Still Life
Watercolor
7x7 1/4 inches
1925
Signed
Photo credit: John Wilson White Studio
The Living Room
Watercolor
6 1/2x7 inches
1925
Signed
Photo credit: John Wilson White Studio
Night Scene from my Window
Watercolor
6 1/4x6 inches
1927
Signed, dated and inscribed
Photo credit: John Wilson White Studio
Lion House at Franklin Park
Watercolor
7x8 1/2 inches
1925
Signed, dated and inscribed
Photo credit: John Wilson White Studio
Black Nativity
7x4x1 inches
c. 1930
Stamped in metal (Allan Rohan Crite)
Photo credit: John Wilson White Studio
Port Scene with Airplane
Watercolor
6 1/2x8 1/2 inches
Year unknown
Signed
Photo credit: John Wilson White Studio
Port Scene with Airplane
Watercolor
5 3/4x8 1/2 inches
Year unknown
Signed
Photo credit: John Wilson White Studio
Map of the Plateaus of Prehistoric Life
Colored pencil drawing on cardboard
8 1/2 x11 inches
c. 1990
Signed
Photo credit: John Wilson White Studio
Nativity Scene with Mary and Christ
Crayon drawing
21x16 1/2 inches
c. 1990
Signed
Photo credit: John Wilson White Studio
Memory Sketch of Myself
Graphite on paper
14x17 inches
1927
Signed, titled, dated and inscribed
Photo credit: John Wilson White Studio